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Aaron Walker music


Aaron Walker Quartet
Swing Je T'aime
High Res Promo



About us





A passion project for four musicians that simply enjoy each other's company. The Aaron Walker quartet doesn't play tunes, it tells stories. Modern Gypsy Jazz out of the 1930s swing era box and into the strange world of the creative minds of 4 friends.


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The Band



Aaron Walker



I believe music exists to serve the people listening. When I play guitar, I want an audience to leave feeling refreshed, entertained, and a little more connected to one another. The technique matters, but it has a purpose: to give the music something to say. I began guitar lessons at seven, and my curiosity has taken me through thumb-picking, rock, jazz, classical music, bluegrass, and the rhythms of Brazil and Trinidad. Gypsy jazz became a turning point. Hearing Gonzalo Bergara changed my understanding of what the guitar could do, bringing together the drive of swing, the freedom of improvisation, and the imagination of a composer. I earned a master's degree in theory and composition, but some of my most meaningful musical education came from playing alongside other musicians. I've had the privilege of performing with Joscho Stephan and Gonzalo Bergara, two of my heroes and mentors, and with Bjorn Thoroddsen in Iceland. Those experiences continue to shape the way I listen and play. My work with the Aaron Walker Quartet and Swing Je T'aime grew out of that same curiosity and love of collaboration. Those ensembles are part of my Colorado musical history. Now based in Connecticut, I'm beginning a new chapter in my life as a guitarist. My work as a film composer also informs my playing: I keep coming back to the story, the people sharing it, and what the music can do for them. My wife and our two sons remain the inspiration behind the music. Whatever form the next chapter takes, the purpose stays the same: to make something that gives others a reason to listen, feel, and enjoy being there.



Claude sim



Claude Sim enjoys a varied music career as an orchestral principal, chamber musician, and multi-genre performing artist. He was appointed Associate Concertmaster of the Colorado Symphony at age 21 by then music director Marin Alsop. He previously held an Associate Principal Violin position with the Baltimore Symphony and has served in guest artist capacities including guest Concertmaster of the Kansas City Symphony, Principal Second Violin of the National Arts Centre Orchestra, and section first violin with The Philadelphia Orchestra. As a chamber musician, Claude has collaborated with Jeffrey Kahane, Lee Luvisi, and Christopher O'Riley, and has also served as guest First Violin and Violist with the Miro and Pacifica Quartets. As a passionate advocate of bridging styles and bending musical genres, Claude is the solo violinist of Extasis, the Argentine tango ensemble. He has recorded a standard jazz album with trumpeter Greg Gisbert, and has shared the stage with fiddler Eileen Ivers, Warren Haynes, Bela Fleck, Jerry Douglas, and Victor and Roy Wooten of the Flecktones. Sim is currently Assistant Professor of Violin at the University of Colorado Boulder.



Gary sloan



Bassist Gary Sloan has music in his blood: his father started the first blues band in the state of Alaska and continues to entertain over fifty years later. After the family relocated to a small town in rural Arkansas, Gary began performing with his father on trombone in and around Kansas City before he teaching himself electric bass and joining his father's band on bass while playing in his high school rock band. At the University of Arkansas, Fayetteville, Gary found his voice on the acoustic bass and served as principal in the orchestra for three years while earning his most valuable education gigging with every jazz act in town. Given his background in his father's groove-oriented improvisatory blues combined with a passion for harmony and interaction, Gary was a natural for jazz and it soon became his main outlet for expression. Gary received a Summer Jazz Scholarship from the Northwest Arkansas Jazz Society (NAJS) in 2010 the next year Gary's original music was featured at the NAJS Composer's showcase and his quartet was nominated for the Northwest Arkansas Music Awards Best Jazz Group. After graduating in 2011 with a Bachelor of Arts in Music, Gary taught up to 40 students a week on guitar, bass, mandolin, piano, and ukulele at a local music store. Gary could also be found performing with the Arkansas Philharmonic Orchestra, the pit orchestra for TheatreSquared musical productions, and a wide range rock, funk, and blues bands. In 2013 he moved to Boulder, CO to pursue a Master's of Music in Jazz Performance & Pedagogy at the University of Colorado. The vibrant, supportive jazz community has kept him busy in Boulder, Denver, Ft. Collins and surrounding areas performing all eras of jazz from the 1900s to today. Additionally, he continued to expand his wide musical interests with CenterStage musical productions, the Boulder Symphony, bluegrass groups, and more. He currently plays electric bass for a number of blues band including Roots & Rhythm as well wedding/dance bands and Wildflower School of Voice. He remains active on both slide and valve trombones in swing/hot jazz groups and has recently added tuba to his repertoire, performing with the Colorado Conservatory for Jazz Arts Brass Band as well as his own group co-lead by David Lawrence of LAPOMPE, the Royal Street Ramblers. He performs throughout the country with Joe Smith & the Spicy Pickles, a 7-piece 1930s/40s jazz band, including swing dance events and jazz festivals from San Diego to upstate New York. He has had the pleasure of playing with a who's who list of international Gypsy jazz artists (including Joshcho Stephan, Gonzalo Bergara, Olli Soikkeli, Jason Anick and more) with Denver guitarist Aaron Walker the group is released their debut album "Bounce" this spring featuring many of these guest musicians. Gary is also an active educator, teaching for the Colorado Conservatory for the Jazz Arts, the Summit High School Jazz Workshop, the Gift of Jazz: Jazz for the Schools Program, as well as his own private studio. Driven by his melodic sense and rhythmic acuity and informed by his perspective as a mulit-instrumentalist, Gary's philosophy as a bassist is deep yet simple- above all else, the role of a bassist is to support his fellow musicians in a way that enhances the music to make the entire experience sound and feel its best.



Luke smith



Coming soon. . .











Swing Je T'aime






Aaron was an adventurous guy who loved to explore new musical worlds. He was studying at Colorado Christian University and was part of the mixed choir, which was known for its beautiful music. Little did he know, a new student had joined the school the previous semester and had joined the female choir.


It was nearing Christmas, and the school was abuzz with excitement. The mixed choir was outside the auditorium, waiting for their turn to perform after the female choir. As Aaron stood there, he heard something that would change the course of his life forever. A rich, angelic voice filled the air, and Aaron was mesmerized. It was the voice of a girl, and it was full of musical substance and indescribable beauty. She was singing an introductory acapella solo to "Let's Go Down to the River to Pray." Aaron couldn't believe his ears. He had never heard anything like it before. He knew he had to find out who this girl was.


Being a small school, it didn't take long for Aaron to find out that the girl's name was Laura. They got to work together on a few musical things throughout the year, and Aaron was always drawn to her beautiful voice.


One day, Aaron had an idea. He wanted to form a little quirky misfit ensemble of acoustic and jazz musicians. He knew it wouldn't function without Laura. Swing Je T'aime was the body, full of energy and life. Aaron was the brain, spitting out weird little arrangements with Brazilian flair, classical craft and spunky swing, but Laura was absolutely the soul. And so, their musical journey began.


They traveled to different parts of the world, performing in small cafes and bars as well as large festivals and foreign land. They played in Iceland, and Germany, the west coast, the midwest, little small towns in Wyoming and big bustling metropolis. Everywhere they went, people were tickled by the arrangements, dazzled by the stunning instrumentalists, but ultimately were undone by the soul of the group, Laura's voice. They were blown away by the sweet yet full way she sang.


They were always looking for new ways to explore their musical abilities and to push the boundaries of what they could do. Years went by, and Swing Je T'aime continue to play music together. They became known as one of the most interesting acoustic and jazz ensembles in their spaces, and it all started with that one moment outside the auditorium, when Aaron heard Laura's voice for the first time.



Swing Je T'aime


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